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・ Museum of Words
・ Museum of Work
・ Museum of Work and Culture
・ Museum of World Culture
・ Museum of World Religions
・ Museum of World Treasures
・ Museum of World War II
・ Museum of World War II in Gdańsk
・ Museum of Yachting
・ Museum of Young Art
・ Museum of the American Railroad
・ Museum of the American Revolution
・ Museum of the Americas
・ Museum of the Americas (Madrid)
・ Museum of the Apopkans
Museum of the Ara Pacis
・ Museum of the Aristotle University of Thessaloniki
・ Museum of the Armed Forces (Angola)
・ Museum of the Asturian People
・ Museum of the Battle of Crete
・ Museum of the Bible
・ Museum of the Cape Fear Historical Complex
・ Museum of the Castle and Military Hospital at Ujazdów
・ Museum of the Center for the Acropolis Studies
・ Museum of the Cetinska Krajina Region
・ Museum of the Chapel of Visitation
・ Museum of the Cinema (Odessa, Ukraine)
・ Museum of the City of Athens
・ Museum of the City of Brussels
・ Museum of the City of Mexico


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Museum of the Ara Pacis : ウィキペディア英語版
Museum of the Ara Pacis

The Museum of the Ara Pacis (Italian: Museo dell'Ara Pacis) belongs to the ''Sistema dei Musei in Comune'' of Rome (Italy); it houses the ''Ara Pacis'' of Augustus, an ancient monment that was initially inaugurated on January 30, 9 B.C.
==Structure==

Designed by the American architect Richard Meier and built in steel, travertine, glass and plaster, the museum is the first great architectural and urban intervention in the historic centre of Rome since the Fascist era.〔"Ara Pacis Museum / Richard Meier & Partners" Arch Daily http://www.archdaily.com/104187/ara-pacis-museum-richard-meier-partners〕 It is a structure with a triumphal nature, clearly alluding to the style of imperial Rome. Wide glazed surfaces allow the viewer to admire the Ara Pacis with uniform lighting conditions.〔"The Meier project" Museo dell'Ara Pacis http://en.arapacis.it/sede/il_progetto_meier〕
The white colour is the trademark of Richard Meier, while the travertine plates decorating part of the building are a consequence of in-progress changes (aluminum surfaces were initially planned), after a design review following controversies with some nostalgia for the previous pavilion that was built in 1938 by the architect Vittorio Ballio Morpurgo.
The challenging design of Meier wants to assert itself in the very hearth of the town, becoming a nerve and transit centre. The complex was intended to include a crosswalk with an underpass linking the museum to the Tiber river; presently the underpass design seems to have been abandoned completely.〔Non si abbatterà il muretto dell'Ara Pacis arriva lo stop della soprintendenza (Lilli Garrone on the Corriere della Sera )〕

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